Although I am of the same belief there are some things in life, which require manual introduction, such as in (a) architecture (b) engineering (c) those are NOT qualitative models, which explain design. A quantitative approach to reasoning truthfully is mechanical, from which many disciplines emerge rudimentary to a cause. This indifference to such methods it arises.
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I often find it laughable if not misdirection, the abatement of ones decision making. However poor it may be - is only due to the fact they refuse to forge their own reality, so instead, they have lost, concluded - that my identity rests not on what they know but what are they afraid of.
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I have an affinity for sparking off false ideas, which I take a long road to, in conversation with myself, that accurately depicts what others might not be able to predict along the likes of M. C. Escher.
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"There are a lot of people wanting to make a lot of noise about nothing, but I do have an idea of what." (MA2012)
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"I have never encountered, been more challenged, in the world of real artists with such transparent amount of arrogance - ever. I plan on not keeping it that way." (MA2012)
Since I began my journey through my personal belief in what it means becoming an actor, I feel my amount of rising confidence, (translates) like an empowering level in humanity. I have been able to differentiate between the extremes an actor such as myself cares about, as opposed to others alienating self righteous habits which lack transparency and promote their emoting experience to an 1-alienating 2- intellectualism (concept) of 3- acting truth.
(a) The clearer this has become, (b1) the more I attune myself to the main cause, (b2) the purpose (c) the source of my uncontested type of truth. The more I see people mistaking themselves as not being active in it.
In fact, what I have witnessed is so fake it makes my vision worth something real. I refuse to lend myself to pretentious acting habits in stylized aversion of such untruth in what acting should be. The more my power in conviction settles, the more skill I possess in operating from a place of truth.
That this unconscious awareness is self taught, my vision of acting truth is to let myself play the part, allowing the words to play me. The average persons unconscious, not thinking from this place where of awareness is born to them, has only to do with themselves. They will never revert back to a true place of vulnerability. This is the fake actors habitual need. A nature obsessed with only themselves. Actors bad habits in faking their own humanity, present abstract methods when associating their "unsatisfaction", not dealing with critical - critical sense of worth. That this in turn paralyzes the actor selfish most desires. That they fear acting - they have turned that habit into fear of being truthfully available instead of truthfully playing the part. Then, that actor manipulates habits in place of fear, in other words.
The acting out of fear containing their habitual approach.
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2- (a) The clearer this has become, (b1) the more I attune myself to the main cause, (b2) the purpose (c) the source of my uncontested type of truth. The more I see people mistaking themselves as not being active in it.
3- I refuse to lend myself to pretentious acting habits in stylized aversion of such untruth in what acting should be.
4- That this in turn paralyzes the actor selfish most desires. That they fear acting - they have turned that habit into fear of being truthfully available instead of truthfully playing the part. Then, that actor manipulates habits in place of fear, in other words.
The acting out of fear containing their habitual approach.
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All of the above cannot be used without permission of its author.
©Marco Almeida 2012
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It is an embarrassing feeling to watch the derivative lack of artistic merit as a persons celebrity disease. I know plenty of so called actors that would have no idea of it in themselves, because they simply never will, will never see what acting untrue to themselves amplified. 1- When they become obsessed with a characterization, 2- methods which do not support a medium 3- of which they have failed in rapport to. (a) The minute they hear footsteps (b) their mind retreats (c) they resort to superficial means from which they no longer trust. Those are the most superficial actors at large.
de·riv·a·tive -
Adjective:
1. (typically of an artist or work of art) Imitative of the work of another person, and usually disapproved of for that reason
Noun:
1. Something that is based on another source
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Every actor I have ever faced immediately fakes their humanity. Such are brutalized actors. I am going to change all of that.
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Tom Stoppard is a good writer, because he knows how actors are obsessed by their own celebrity. Those types of actors are in abundance, who offer no real purpose to the medium - often fall off the face of the earth, never to be seen or heard from again.
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