Caged in the fire (incomplete informational feedback)

 Steven Bernstein

What is the main purpose you propose to manage how we arrive at something (as you said) poetic? What is a poetically specific motive as a framework for creating something original or challenging norms. This, as ideology, becomes dogmatic independent of the way it is received because, in my view, most audiences are complacent to what already is in the world. My point is that the audience's perception is a constraint in what they are receiving behind the medium, beneath the message, based on an unconscious lack of disbelief. In other words, the audience wants a new source to interpret causation. Meaning - I, as the actor, have the ability to alter an audience's domestic element. All people in general take aim without thinking about what's at stake. My job is to make something that is completely beyond that. So my question is, how do you know? How do you know what objective focuses is doing things completely disobeying together laws we are all centered on or pulled into (without) gathering convention. I can tell you that I work from this place. And most actors are not aware. This is my personal laboratory. °●•○•●●• Marco from Winnipeg